It was amazing. The lights were flashing, the bells were ringing and the
fuzzy bundle of joy lifted into the air then dropped like a rock. I opened the trap
door and it was mine! All mine! Never again would I be told I couldn’t get what I
wanted. After I had won what I coveted, I preserved my winnings like a trophy on
my wall, even though I would never have simply purchased a cheap stuffed
animal in the first place.

I know something others don’t and that gets me stuff. By figuring out the
mechanics of the claw machine I can win every time. I only want what is in the
machine because I am told there is no way to obtain it, because the game is
rigged, and because it is kept behind glass out of my reach.

This recent body of work is about desire. We covet what we can’t have,
we want what we are told is unobtainable, we desire things we do not need and
we want what others have. I want to win the claw machine because after the first
time I won, someone said, “There’s no way! You can’t win that!”

Heidi Aishman is originally from Boston and currently lives and works in
Atlanta GA. She has taken part in numerous group and solo exhibitions in the
United States, and South America including: Arte a Limite, Chile, Jose A. Mulazzi
Museum, Tres Arroyos, Argentina: Coronel Dorrego Cultural Center, Dorrego,
Argentina; Bridge Art Fair, Miami, FL; High Museum of Art, Atlanta, GA; Museum
of Fine Arts, Boston, MA; Apexart, New York, NY; Rhys Gallery, Boston, MA; The
Artists Foundation, Boston, MA; Fraser Gallery, Bethesda, MD; DeCordova
Museum, Lincoln, MA. Heidi has curated numerous exhibitions and has been a
contributing writer to Big Red and Shiny online Arts Journal for over 4 years.